Auto-Tune Pro Vocal Studio - Auto-Tune Pro + AVOX 4

A professional vocal toolkit, including Auto-Tune Pro, Auto-Key, and the AVOX plug-ins.

Auto-Tune Pro Vocal Studio combines Auto-Tune Pro, the industry standard in professional pitch correction, Auto-Key, for automatic key and scale detection, and all 11 of our pioneering AVOX vocal processing plug-ins. Together, this plug-in bundle provides a professional suite of 13 plug-ins for producing world-class vocal tracks.

Auto-Tune Pro Vocal Studio​ includes:

Auto-Tune Pro

The Professional Standard

For twenty years, Auto-Tune has been the world standard for professional pitch correction (and more recently, time correction), and the tool of choice for the signature vocal effect of modern popular music. Today, it’s used daily by thousands of audio professionals around the world to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or to create what has become the signature vocal effect of modern popular music.

Freedom of Expression

Auto-Tune Pro offers the transparent, natural sounding, and pristine pitch and time correction required for professional quality audio production, as well as the classic effects that have become a staple of popular music.

Use our Flex-Tune and Humanize technologies to bring a vocal performance perfectly into tune without sacrificing the expressive gestures and natural variations that give it its character and authenticity, or crank the Retune Speed for a dramatic Auto-Tune Effect.

The powerful Time Correction features in Graph Mode allow you to quickly touch up the timing errors in an otherwise perfect performance, or creatively rework the timing of your track without having to re-record it.

Our Low Latency Mode lets you perform through Auto-Tune in real time on stage or in the studio, without worrying about distracting delay.

Whether you’re in need of natural sounding pitch correction, versatile and transparent time correction, or classic effects, Auto-Tune Pro is the tool you’re looking for.

New Auto-Tune Pro Features

A New, Streamlined User Interface

Auto-Tune Pro features a sleek, all-new interface in both Auto Mode and Graph Mode, redesigned for ease of use and efficient workflow.

Auto Mode now includes two unique screen views: Basic View which gives you quick and easy access to the core features of Auto Mode, and Advanced View which unlocks the powerful MIDI, scale editing and vibrato features.

The Graph Mode interface has be redesigned from the ground up. In addition to a much larger Main Graph, the new Graph Mode features greater zoom resolution, user assignable zoom presets, and controls reconfigured to optimize workflow efficiency.

Classic Mode

Classic Mode is the much-requested return of the celebrated “Auto-Tune 5 sound.”

As we’ve added new features to Auto-Tune (such as Formant Correction, Throat Modeling, and Flex-Tune) the Auto-Tune algorithm has evolved, and its sonic qualities have undergone subtle changes, with each Auto-Tune version having its own slightly different character.

Over the years, the sound of Auto-Tune 5 has developed something of a cult following among musicians, audio engineers and producers, perhaps due in part to its use on many iconic pop recordings. Due to popular demand, we’ve made the Auto-Tune 5 sound available in Auto-Tune Pro via the new Classic Mode.

Auto-Key: Automatic Key and Scale Detection

Auto-Key is a brand new plug-in, included with your Auto-Tune Pro purchase, which automatically detects the key and scale of your music and sends that information to one or more instances of Auto-Tune Pro. If you already know the key and scale of your tracks, you may also find Auto-Key useful for simultaneously setting the Key and Scale parameters of multiple instances of Auto-Tune Pro from a single location.

ARA: Audio Random Access

Auto-Tune Pro now supports ARA (Audio Random Access.) ARA is a technology that allows for closer integration and exchange of information between audio plugins and host applications (digital audio workstations). When used with ARA-compatible DAWs such as Studio One and Mixcraft, it’s now possible to edit in Auto-Tune Pro’s Graph Mode without first playing through the selection to track the audio into Auto-Tune.

MIDI Parameter Control

Many of Auto-Tune Pro’s key parameters can now be controlled in real time with a MIDI controller, including Retune Speed, Flex-Tune, Humanize, Throat Length and all of the Vibrato functions. Assign the parameters to the controls on your MIDI device, and perform dramatic effects in real time on stage or in the studio.

Learn more about Auto-Tune Pro.

AVOX 4

The AVOX 4 Antares Vocal Toolkit combines 11 of our state-of-the-art vocal processing plug-ins to give you the power you need to create stunning vocal tracks in any musical style, as well as design unique vocal effects for audio post-production applications. All at a substantial savings over purchasing the plug-ins separately.

Harmony Engine Vocal Modeling Harmony Generator

Create professional quality harmony arrangements from a single track.

Whether you’re an experienced arranger, a songwriter looking for the perfect backup vocal, or a producer experimenting with unique effects, Harmony Engine gives you new ways to create the harmony parts you hear in your head. It offers a variety of control modes, from fully automatic to individual control of every note.

Harmony Engine features four high-quality harmony voices with independently adjustable vocal character, vibrato, and pan settings for realistic or extreme effects. And five channels of our Choir vocal multiplier lets you turn each harmony voice into 2, 4, 8, or 16 individual unison voices.

Learn more about Harmony Engine.

MUTATOR Extreme Voice Designer

A powerful tool for special vocal effects and post-production sound design.

Mutator provides a combination of sound design tools for creating unusual and otherworldly voices. With high quality pitch shifting, throat modeling, ring modulator-based mutation, and a mind-bending tempo-synced alienize function, Mutator is the perfect tool for unique vocal effects, character design, and post-production sound design.

Mutators’s voice processing tools are divided into three sections. The voice design section lets you use our unique throat modeling and pitch shifting technologies to craft the basic characteristics of your voice.

The mutate section lets you transform and mangle that voice into a variety of strange creatures, with 24 different varieties of “mutation” created with pitch-tracking ring modulation.

Finally, the alienize section gives your vocal track the quality of an alien language by chopping it up into small segments and playing each segment in reverse. You can even create your own unique language by varying the length of the speech segments, or syncing them to the tempo of your track.

Learn more about MUTATOR.

Mic Mod EFX Classic Microphone Modeler

Make the mics you own sound like the mics you wish you owned.

Mic Mod is the microphone modeling tool that makes the mics you own sound like the mics you wish you owned.

Instantly expand your mic locker with models of vintage mics from Neumann, AKG, and others, plus a wide selection of modern boutique mics. Mic Mod includes precise digital models of over 100 legendary microphones. Just tell it what mic you’re using and what mic you want it to sound like.

Mic Mod not only reproduces all of the subtle sonic characteristics that make each microphone unique, it also gives you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Close or far placement? Just dial in the proximity control. Each option results in the same sonic effect that it would have with the actual mic. For that final touch of perfection, you can even add some tube saturation.

Mic Mod gives you a huge virtual microphone collection that you can use for recording, mixing, and even in live performance to get the sound of mics you would never consider using on stage. It’s also a great tool for broadcast and podcasting applications.

Learn ore about Mic Mod EFX.

ARTICULATOR Digital Talk Box

Recreate the sound of classic talkbox effects.

Articulator is a modern digital version of the classic talk box, made famous on recordings by artists like Peter Frampton, Zapp, and Bon Jovi. Perfect for talking guitars, singing synths, and a wide range of special effects.

If you’ve ever seen a guitarist with a plastic tube in their mouth and a guitar that sounds like it’s talking, then you have a basic idea of what a talk box is. A physical talk box works by applying a filter (the human mouth) to an audio signal (usually a guitar or synth).

Articulator models this process by extracting the formant and amplitude information from a vocal track and applying it to another audio track or to its built-in noise generator in real time.

Articulator also features a built-in EQ, a formant modulation section, which lets you sculpt your vocal sound using our throat modeling technology, and an amplitude modulation control, which lets you dial in exactly how much of the effect you want on your track.

Learn more about ARTICULATOR.

WARM Tube Saturation Generator

Model the sound of vintage analog tube saturation

Nothing warms up a vocal track (or pretty much any track) like being recorded through a high quality analog tube preamp. And thanks to Warm, you can add this tube warmth to every track in your mix.

Warm offers the choice of two different tube models. Velvet​ ​tube​ gives you the subtle effects of classic tube saturation. While most often used for adding warmth to vocals, it sounds just as good on acoustic guitar, horns, strings, synth pads, or pretty much anything. Crunch​ ​tube​ gives you the deep, warm distortion of an overdriven tube amplifier. You can crank it up for an “industrial” vocal sound, or as an effect on guitar, bass, or synths.

Warm’s unique Omni Tube​ feature lets you apply tube saturation to the entire signal, instead of just the transients, as is typically the case with a tube preamp.

And since Warm is extremely DSP​ ​efficient​, you can use it on an almost unlimited number of tracks simultaneously. Once you start using Warm, you’re going to want it on almost everything.

Learn more about WARM.

ASPIRE Aspiration Noise Processor

Perfectly control the breathiness from a vocal performance.

Aspire is the world’s first tool for modifying a voice’s breathiness independently of its harmonic content. With Aspire, you can match a vocal quality to a performance style by decreasing or increasing​ a voice’s natural​ breathiness​.

Aspire analyzes a vocal in real time and separates the aspiration noise (breathiness) from the harmonic content. It then allows you to adjust the amount of aspiration noise, and affect its character independently by applying a parametric​ EQ​ to the noise component. It also includes a real-time display that lets you visualize the effect of the aspiration noise processing.

Whether reducing vocal rasp or adding a bit of smokiness, Aspire allows modification of the amount and quality of a voice’s breathiness—without affecting the vocal’s harmonic characteristics.

Learn more about ASPIRE.

THROAT Physical Modeling Vocal Designer

Sculpt a singer’s vocal qualities with an adjustable model of the human vocal tract.

Throat is a revolutionary plug-in that lets you process your vocals through a meticulously crafted physical model of the human vocal tract, so you can literally design your own vocal sound.

Though designed to allow subtle modifications in vocal quality, the range of controls also allows for vocal tract models well beyond the limits of physical human anatomy, offering the possibility of vocal characteristics that are unattainable in the real world.

Throat’s controls allow you to modify the voice’s glottal waveform as well as globally stretch, shorten, widen or constrict the modeled vocal tract. For detailed control of the vocal sound, the graphical throat shaping display allows you to individually adjust the position and width of five points in the vocal tract model, from the vocal cords, through the throat, mouth, and lips.

Learn more about THROAT.

DUO Vocal Modeling Auto-Doubler

The quickest, easiest way to create realistic vocal doubling.

Doubling is one of the best techniques for fattening up a lead vocal or giving it extra depth. And Duo is the easiest way to enhance vocals with a realistic doubled vocal part—automatically generated from your existing vocal.

In addition to programmable variation in pitch, timing and vibrato depth, Duo includes adjustable vocal timbre modeling, so you can create a doubled part that sounds like the same person as the lead vocalist—or like someone else entirely.

It also gives you independent control of the level and pan of the original and doubled voices, so you can craft the perfect stereo mix.

Just put Duo on your vocal track, and adjust the variation parameters and output controls to create exactly the doubling effect you’re looking for Instant doubling.

Learn more about DUO.

CHOIR Vocal Multiplier

Turn a single voice into up to 32 individual unison voices.

CHOIR​​ is a unique vocal processor that turns a single monophonic voice into a lush choir of 4, 8, 16, or 32 distinct individual unison voices, each with its own pitch, timing and vibrato variations.

CHOIR accomplishes its magic with just a few simple controls. Choir​ ​Size​ allows you to select the number of individual voices that will be generated from the original voice. The Vibrato Variation​, Pitch​ ​Variation​, and Timing​ ​Variation​ controls allow you to control the amount of subtle variation applied to each of the generated voices. Finally, the Stereo​ ​Spread​ ​control lets you spread the voices across the stereo field.

CHOIR is the perfect tool for quickly and easily turning a single voice into a group of voices, each with its own unique character. When multiple instances of CHOIR are assigned to individual harmony parts, the result is an amazingly realistic large vocal ensemble.

Learn more about CHOIR.

PUNCH Vocal Impact Enhancer

Give your vocals more dynamic impact to cut through the mix.

Punch is a vocal compression plug-in that gives your vocals more dynamic impact. It provides a combination of compression​, gain​, limiting​, and overload​ ​protection​ with an interface designed for speed and simplicity. Using just a few controls, you can dial in the perfect vocal level for any mix in seconds.

Combining advanced dynamic processing with an intuitive interface, Punch makes your vocals cut through a dense mix with clarity and power.

Learn more about PUNCH.

SYBIL Variable Frequency De-Esser

Tame vocal sibilance quickly and easily.

Sybil​ is designed to tame excessive vocal sibilance (ess, tsss, ch, and sh sounds), with a flexible compressor and a variable-frequency high pass filter to ensure optimum de-essing for any vocal performance.

The compressor​ section includes threshold​, ratio​, attack​ and release controls, and the high-pass​ frequency control lets you adjust which high frequency content will get compressed, to ensure that the sibilance is reduced while the rest of the voice remains pristine.

With Sybil, everything you need to get control of vocal sibilance is right at your fingertips.

Learn more about SYBIL.

The Ultimate Pitch & Timing Toolbox

The following Upgrades & Crossgrades are also available for current Synchro Arts users:

• Revoice Pro 4 Crossgrade from VocALign Project 3
• Revoice Pro 4 Crossgrade from VocALign Pro 4
• Revoice Pro 4 Upgrade from Revoice Pro 3

Used worldwide by top music producers and audio professionals, Revoice Pro 4 features Syncro Arts' industry-standard audio alignment technology, an extensive suite of pitch adjustment tools and a premium doubler which combine to create a vocal, instrument and dialogue editing powerhouse.

With Revoice Pro, Synchro Arts offer a solution which delivers premium audio quality while being fast and easy to use, saving you hours of tedious editing time, ensuring the highest possible production values and helping to achieve your creative vision.

Key Features

• APT - Clone the timing, pitch, vibrato and level features of one audio track and use it on another.
• Warp - Manipulate the timing and pitch of your audio whilst maintaining the highest audio quality.
• Doubler - Instantly create natural-sounding mono and stereo double tracks.

Music Production using Revoice Pro 4

• Tighten the timing, pitch and vibrato of "stacked" lead and backing vocals or instrumental tracks.
• Create one or more realistic double tracks from a single input track.
• Manually adjust the pitch and timing of your tracks with an easy to use graphical interface.

Post Production using Revoice Pro 4

• Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Change the inflection in dialogue (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialogue editor.

Audio Performance Transfer (APT) Process

The APT Process transfers user-selected timing, pitch and level characteristics of a good "Guide" audio signal to one or more audio signals - automatically.

At the heart of Revoice Pro is Syncro Arts' unique Audio Performance Transfer (APT) process, that allows the user to clone the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing, tuning and level.

Applications for the APT process include:

• Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
• Dialogue replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Transfer a performance: Change the inflection in dialogue (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialogue editor's voices.
• Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.

Description of the APT Processing

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the "perfect" features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro's new built-in Warp function to quickly and transparently adjust the Guide's (or lead harmony parts') timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated "tracks" under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts' VocALign technology.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features. Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the "Guide" (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

Important Features of ATP

• The "tightness" of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
• Optional user-inserted "Protected Regions" allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
• The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
• APT Pitch (and other feature's) processing settings can be made time-varying (automated).
• "Process-based" solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
• The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
• Multiple Dub signals can use the same Guide and be efficiently processed at the same time.
• A comprehensive Preset system allows saving and reusing settings.

Doubler

The Doubler - instantly create natural-sounding mono and stereo double tracks for voice and instruments or, crank the parameters for more extreme modulation style effects on your tracks. A great time-saving process often referred to as ‘the secret weapon’ in modern vocal production.

Applications for Doubler

• Creating realistic double tracks from vocal or instrument recording when no double track is available.
• Create a wide range of special modulation effects.

Process Details

• Inputs can be mono or stereo signals.
• Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
• Provides controls for modifying timing variations, formants, and vibrato.
• Supports extreme parameter variations to create special effects.
• Comprehensive user Preset system.

Warp

Simple, fast adjustments with maximum quality- for voice and monophonic instruments.

In Revoice Pro 4, manual Pitch and Time Warping of audio are intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

• Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
• Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
• Manually adjusting the pitch and time of a solo vocal or any voice recording.
• If required, making minor adjustments to the features in the output of an APT process.
• Modifying signal levels.

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 4 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs. This means that dependant audio tracks will always be in time and in sync instantly.

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools available in all of these are operated similarly.

The quick-access cursor tool's function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners. Time and level can be manipulated similarly and easily.

Moreover - there is a Correct Pitch function for a quick snap-to-grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings. However, in any processing, the most important element is sound quality - which in Revoice Pro 4, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

The Warp Region Process

• Adjustments are made to a single audio region in the same track as the input audio Region and the adjusted output is heard replacing the input audio.
• This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice-over parts.

The Warp Process

• Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
• The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
• Revoice Pro 4 - Three Warp Points inserted and moved
• Three Warp Points inserted and moved

Warp Points

• Warp points can be used to time stretch the signal between two points.
• Vibrato Warp Points allow you to time-stretch or compress signals containing vibrato without modifying the vibrato rate.
• You can also use speed points to gradually change the rate of time stretch.

What's new in Revoice Pro 4?

With the release of Revoice Pro 4, Synchro Arts have continued to push the boundaries of what a vocal production tool can achieve, with better sounding and more musically pleasing automatic alignment and vocal vibrato adjustment, even faster workflow utilising the cutting edge ARA2 protocol and iLok Cloud based authorisation with no USB dongle. These along with the over 70 other new features and improvements mean Revoice Pro 4 truly is the ultimate toolbox for timing and pitch adjustment.

The Ultimate Pitch & Timing Toolbox

Important Upgrade Note: This is a specific licence for existing owners of VocALign Project 3 or VocAlign Project 5. The full version of Revoice Pro 4 and following upgrades/crossgrades are also available:

• Revoice Pro 4 Upgrade from Revoice Pro 3
• Revoice Pro 4 Licence for VocALign Pro 4 Owners

Used worldwide by top music producers and audio professionals, Revoice Pro 4 features Syncro Arts' industry-standard audio alignment technology, an extensive suite of pitch adjustment tools and a premium doubler which combine to create a vocal, instrument and dialogue editing powerhouse.

With Revoice Pro, Synchro Arts offer a solution which delivers premium audio quality while being fast and easy to use, saving you hours of tedious editing time, ensuring the highest possible production values and helping to achieve your creative vision.

Key Features

• APT - Clone the timing, pitch, vibrato and level features of one audio track and use it on another.
• Warp - Manipulate the timing and pitch of your audio whilst maintaining the highest audio quality.
• Doubler - Instantly create natural-sounding mono and stereo double tracks.

Music Production using Revoice Pro 4

• Tighten the timing, pitch and vibrato of "stacked" lead and backing vocals or instrumental tracks.
• Create one or more realistic double tracks from a single input track.
• Manually adjust the pitch and timing of your tracks with an easy to use graphical interface.

Post Production using Revoice Pro 4

• Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Change the inflection in dialogue (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialogue editor.

Audio Performance Transfer (APT) Process

The APT Process transfers user-selected timing, pitch and level characteristics of a good "Guide" audio signal to one or more audio signals - automatically.

At the heart of Revoice Pro is Syncro Arts' unique Audio Performance Transfer (APT) process, that allows the user to clone the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing, tuning and level.

Applications for the APT process include:

• Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
• Dialogue replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Transfer a performance: Change the inflection in dialogue (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialogue editor's voices.
• Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.

Description of the APT Processing

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the "perfect" features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro's new built-in Warp function to quickly and transparently adjust the Guide's (or lead harmony parts') timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated "tracks" under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts' VocALign technology.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features. Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the "Guide" (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

Important Features of ATP

• The "tightness" of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
• Optional user-inserted "Protected Regions" allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
• The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
• APT Pitch (and other feature's) processing settings can be made time-varying (automated).
• "Process-based" solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
• The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
• Multiple Dub signals can use the same Guide and be efficiently processed at the same time.
• A comprehensive Preset system allows saving and reusing settings.

Doubler

The Doubler - instantly create natural-sounding mono and stereo double tracks for voice and instruments or, crank the parameters for more extreme modulation style effects on your tracks. A great time-saving process often referred to as ‘the secret weapon’ in modern vocal production.

Applications for Doubler

• Creating realistic double tracks from vocal or instrument recording when no double track is available.
• Create a wide range of special modulation effects.

Process Details

• Inputs can be mono or stereo signals.
• Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
• Provides controls for modifying timing variations, formants, and vibrato.
• Supports extreme parameter variations to create special effects.
• Comprehensive user Preset system.

Warp

Simple, fast adjustments with maximum quality- for voice and monophonic instruments.

In Revoice Pro 4, manual Pitch and Time Warping of audio are intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

• Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
• Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
• Manually adjusting the pitch and time of a solo vocal or any voice recording.
• If required, making minor adjustments to the features in the output of an APT process.
• Modifying signal levels.

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 4 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs. This means that dependant audio tracks will always be in time and in sync instantly.

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools available in all of these are operated similarly.

The quick-access cursor tool's function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners. Time and level can be manipulated similarly and easily.

Moreover - there is a Correct Pitch function for a quick snap-to-grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings. However, in any processing, the most important element is sound quality - which in Revoice Pro 4, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

The Warp Region Process

• Adjustments are made to a single audio region in the same track as the input audio Region and the adjusted output is heard replacing the input audio.
• This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice-over parts.

The Warp Process

• Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
• The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
• Revoice Pro 4 - Three Warp Points inserted and moved
• Three Warp Points inserted and moved

Warp Points

• Warp points can be used to time stretch the signal between two points.
• Vibrato Warp Points allow you to time-stretch or compress signals containing vibrato without modifying the vibrato rate.
• You can also use speed points to gradually change the rate of time stretch.

What's new in Revoice Pro 4?

With the release of Revoice Pro 4, Synchro Arts have continued to push the boundaries of what a vocal production tool can achieve, with better sounding and more musically pleasing automatic alignment and vocal vibrato adjustment, even faster workflow utilising the cutting edge ARA2 protocol and iLok Cloud based authorisation with no USB dongle. These along with the over 70 other new features and improvements mean Revoice Pro 4 truly is the ultimate toolbox for timing and pitch adjustment.

AVOX 4 - Antares Vocal Tool Toolkit

Create, control, and enhance your vocal productions.

Harmony Engine Vocal Modeling Harmony Generator

Create professional quality harmony arrangements from a single track.

Whether you’re an experienced arranger, a songwriter looking for the perfect backup vocal, or a producer experimenting with unique effects, Harmony Engine gives you new ways to create the harmony parts you hear in your head. It offers a variety of control modes, from fully automatic to individual control of every note.

Harmony Engine features four high-quality harmony voices with independently adjustable vocal character, vibrato, and pan settings for realistic or extreme effects. And five channels of our Choir vocal multiplier lets you turn each harmony voice into 2, 4, 8, or 16 individual unison voices.

Learn more about Harmony Engine.

MUTATOR Extreme Voice Designer

A powerful tool for special vocal effects and post-production sound design.

Mutator provides a combination of sound design tools for creating unusual and otherworldly voices. With high quality pitch shifting, throat modeling, ring modulator-based mutation, and a mind-bending tempo-synced alienize function, Mutator is the perfect tool for unique vocal effects, character design, and post-production sound design.

Mutators’s voice processing tools are divided into three sections. The voice design section lets you use our unique throat modeling and pitch shifting technologies to craft the basic characteristics of your voice.

The mutate section lets you transform and mangle that voice into a variety of strange creatures, with 24 different varieties of “mutation” created with pitch-tracking ring modulation.

Finally, the alienize section gives your vocal track the quality of an alien language by chopping it up into small segments and playing each segment in reverse. You can even create your own unique language by varying the length of the speech segments, or syncing them to the tempo of your track.

Learn more about MUTATOR.

Mic Mod EFX Classic Microphone Modeler

Make the mics you own sound like the mics you wish you owned.

Mic Mod is the microphone modeling tool that makes the mics you own sound like the mics you wish you owned.

Instantly expand your mic locker with models of vintage mics from Neumann, AKG, and others, plus a wide selection of modern boutique mics. Mic Mod includes precise digital models of over 100 legendary microphones. Just tell it what mic you’re using and what mic you want it to sound like.

Mic Mod not only reproduces all of the subtle sonic characteristics that make each microphone unique, it also gives you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Close or far placement? Just dial in the proximity control. Each option results in the same sonic effect that it would have with the actual mic. For that final touch of perfection, you can even add some tube saturation.

Mic Mod gives you a huge virtual microphone collection that you can use for recording, mixing, and even in live performance to get the sound of mics you would never consider using on stage. It’s also a great tool for broadcast and podcasting applications.

Learn ore about Mic Mod EFX.

ARTICULATOR Digital Talk Box

Recreate the sound of classic talkbox effects.

Articulator is a modern digital version of the classic talk box, made famous on recordings by artists like Peter Frampton, Zapp, and Bon Jovi. Perfect for talking guitars, singing synths, and a wide range of special effects.

If you’ve ever seen a guitarist with a plastic tube in their mouth and a guitar that sounds like it’s talking, then you have a basic idea of what a talk box is. A physical talk box works by applying a filter (the human mouth) to an audio signal (usually a guitar or synth).

Articulator models this process by extracting the formant and amplitude information from a vocal track and applying it to another audio track or to its built-in noise generator in real time.

Articulator also features a built-in EQ, a formant modulation section, which lets you sculpt your vocal sound using our throat modeling technology, and an amplitude modulation control, which lets you dial in exactly how much of the effect you want on your track.

Learn more about ARTICULATOR.

WARM Tube Saturation Generator

Model the sound of vintage analog tube saturation

Nothing warms up a vocal track (or pretty much any track) like being recorded through a high quality analog tube preamp. And thanks to Warm, you can add this tube warmth to every track in your mix.

Warm offers the choice of two different tube models. Velvet​ ​tube​ gives you the subtle effects of classic tube saturation. While most often used for adding warmth to vocals, it sounds just as good on acoustic guitar, horns, strings, synth pads, or pretty much anything. Crunch​ ​tube​ gives you the deep, warm distortion of an overdriven tube amplifier. You can crank it up for an “industrial” vocal sound, or as an effect on guitar, bass, or synths.

Warm’s unique Omni Tube​ feature lets you apply tube saturation to the entire signal, instead of just the transients, as is typically the case with a tube preamp.

And since Warm is extremely DSP​ ​efficient​, you can use it on an almost unlimited number of tracks simultaneously. Once you start using Warm, you’re going to want it on almost everything.

Learn more about WARM.

ASPIRE Aspiration Noise Processor

Perfectly control the breathiness from a vocal performance.

Aspire is the world’s first tool for modifying a voice’s breathiness independently of its harmonic content. With Aspire, you can match a vocal quality to a performance style by decreasing or increasing​ a voice’s natural​ breathiness​.

Aspire analyzes a vocal in real time and separates the aspiration noise (breathiness) from the harmonic content. It then allows you to adjust the amount of aspiration noise, and affect its character independently by applying a parametric​ EQ​ to the noise component. It also includes a real-time display that lets you visualize the effect of the aspiration noise processing.

Whether reducing vocal rasp or adding a bit of smokiness, Aspire allows modification of the amount and quality of a voice’s breathiness—without affecting the vocal’s harmonic characteristics.

Learn more about ASPIRE.

THROAT Physical Modeling Vocal Designer

Sculpt a singer’s vocal qualities with an adjustable model of the human vocal tract.

Throat is a revolutionary plug-in that lets you process your vocals through a meticulously crafted physical model of the human vocal tract, so you can literally design your own vocal sound.

Though designed to allow subtle modifications in vocal quality, the range of controls also allows for vocal tract models well beyond the limits of physical human anatomy, offering the possibility of vocal characteristics that are unattainable in the real world.

Throat’s controls allow you to modify the voice’s glottal waveform as well as globally stretch, shorten, widen or constrict the modeled vocal tract. For detailed control of the vocal sound, the graphical throat shaping display allows you to individually adjust the position and width of five points in the vocal tract model, from the vocal cords, through the throat, mouth, and lips.

Learn more about THROAT.

DUO Vocal Modeling Auto-Doubler

The quickest, easiest way to create realistic vocal doubling.

Doubling is one of the best techniques for fattening up a lead vocal or giving it extra depth. And Duo is the easiest way to enhance vocals with a realistic doubled vocal part—automatically generated from your existing vocal.

In addition to programmable variation in pitch, timing and vibrato depth, Duo includes adjustable vocal timbre modeling, so you can create a doubled part that sounds like the same person as the lead vocalist—or like someone else entirely.

It also gives you independent control of the level and pan of the original and doubled voices, so you can craft the perfect stereo mix.

Just put Duo on your vocal track, and adjust the variation parameters and output controls to create exactly the doubling effect you’re looking for Instant doubling.

Learn more about DUO.

CHOIR Vocal Multiplier

Turn a single voice into up to 32 individual unison voices.

CHOIR​​ is a unique vocal processor that turns a single monophonic voice into a lush choir of 4, 8, 16, or 32 distinct individual unison voices, each with its own pitch, timing and vibrato variations.

CHOIR accomplishes its magic with just a few simple controls. Choir​ ​Size​ allows you to select the number of individual voices that will be generated from the original voice. The Vibrato Variation​, Pitch​ ​Variation​, and Timing​ ​Variation​ controls allow you to control the amount of subtle variation applied to each of the generated voices. Finally, the Stereo​ ​Spread​ ​control lets you spread the voices across the stereo field.

CHOIR is the perfect tool for quickly and easily turning a single voice into a group of voices, each with its own unique character. When multiple instances of CHOIR are assigned to individual harmony parts, the result is an amazingly realistic large vocal ensemble.

Learn more about CHOIR.

PUNCH Vocal Impact Enhancer

Give your vocals more dynamic impact to cut through the mix.

Punch is a vocal compression plug-in that gives your vocals more dynamic impact. It provides a combination of compression​, gain​, limiting​, and overload​ ​protection​ with an interface designed for speed and simplicity. Using just a few controls, you can dial in the perfect vocal level for any mix in seconds.

Combining advanced dynamic processing with an intuitive interface, Punch makes your vocals cut through a dense mix with clarity and power.

Learn more about PUNCH.

SYBIL Variable Frequency De-Esser

Tame vocal sibilance quickly and easily.

Sybil​ is designed to tame excessive vocal sibilance (ess, tsss, ch, and sh sounds), with a flexible compressor and a variable-frequency high pass filter to ensure optimum de-essing for any vocal performance.

The compressor​ section includes threshold​, ratio​, attack​ and release controls, and the high-pass​ frequency control lets you adjust which high frequency content will get compressed, to ensure that the sibilance is reduced while the rest of the voice remains pristine.

With Sybil, everything you need to get control of vocal sibilance is right at your fingertips.

Learn more about SYBIL.

Advanced Timing & Pitch Alignment

In modern music production, getting the very best from your vocals is essential and because your time is precious, Synchro Arts created VocAlign Ultra to give you the highest quality results with the least amount of work. Featuring technology from their flagship Revoice Pro software, VocAlign Ultra takes plug-in based vocal matching to a whole new level with unparalleled control and total flexibility. Don't waste time manually editing vocals, get VocAlign Ultra and speed up your workflow today.

Great Vocals... Only Better

VocAlign Ultra is nothing short of a revolution in plugin-based audio alignment. Powered by the latest algorithms from Revoice Pro, VocAlign Ultra consistently provides better results when aligning longer and more complex sections of audio. Then for complete creative freedom, VocAlign Ultra features a new tightness control so you decide how much alignment you want to apply to your signals. Also Ultra doesn't just fix the timing of your performances with unprecedented ease and speed, it can align pitch too. And that's just for starters, there are many other enhancements which make VocAlign Ultra an essential tool for music producers, mix engineers and audio post professionals. 

The Essential Vocal Processing Solution

Dehumaniser 2 is a powerful vocal processing tool perfect for a range of vocal effects, from monsters to robots and many more. Utilising incoming live or pre-recorded signals, the software allows you to rapidly create seamlessly layered effects by using presets or dive right into customization by linking virtual patch cords to interactive effects modules. Dehumaniser 2 features proprietary effects like Scrubbing Convolution and Spectral Shifting that deliver dramatic results and offer totally new avenues for creative design.

With 10 essential modules, and over 100 impactful presets, renowned sound designers have used Dehumaniser to bring other-worldly characters to life in blockbusters like Avengers: Age of Ultron, The Jungle Book, Far Cry 4, and Doom. This versatile tool eliminates the difficulty of setting up complex processing chains, and allows designers to jump right into their creative work. Dehumaniser is an all-in-one solution that puts vital vocal design features at your fingertips, making it the ideal plugin for use in film, TV, video games, live performance, and more.

Bring your creatures to life

This modular, node-based processor eliminates the time and expense traditionally required in creature sound design by opening-up jam-packed full of presets and pre-analyzed sound libraries. Work in real-time to design unique creatures, and save your workflow – down to each module, sample, and setting – making it perfect for localisation.

The Ultimate Pitch & Timing Toolbox

Important Upgrade Note: This is a specific licence for existing owners of VocALign Pro 4. The full version of Revoice Pro 4 and following upgrades/crossgrades are also available:

• Revoice Pro 4 Upgrade from Revoice Pro 3
• Revoice Pro 4 Licence for VocALign Project 3 Owners

Used worldwide by top music producers and audio professionals, Revoice Pro 4 features Syncro Arts' industry-standard audio alignment technology, an extensive suite of pitch adjustment tools and a premium doubler which combine to create a vocal, instrument and dialogue editing powerhouse.

With Revoice Pro, Synchro Arts offer a solution which delivers premium audio quality while being fast and easy to use, saving you hours of tedious editing time, ensuring the highest possible production values and helping to achieve your creative vision.

Key Features

• APT - Clone the timing, pitch, vibrato and level features of one audio track and use it on another.
• Warp - Manipulate the timing and pitch of your audio whilst maintaining the highest audio quality.
• Doubler - Instantly create natural-sounding mono and stereo double tracks.

Music Production using Revoice Pro 4

• Tighten the timing, pitch and vibrato of "stacked" lead and backing vocals or instrumental tracks.
• Create one or more realistic double tracks from a single input track.
• Manually adjust the pitch and timing of your tracks with an easy to use graphical interface.

Post Production using Revoice Pro 4

• Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Change the inflection in dialogue (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialogue editor.

Audio Performance Transfer (APT) Process

The APT Process transfers user-selected timing, pitch and level characteristics of a good "Guide" audio signal to one or more audio signals - automatically.

At the heart of Revoice Pro is Syncro Arts' unique Audio Performance Transfer (APT) process, that allows the user to clone the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing, tuning and level.

Applications for the APT process include:

• Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
• Dialogue replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Transfer a performance: Change the inflection in dialogue (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialogue editor's voices.
• Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.

Description of the APT Processing

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the "perfect" features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro's new built-in Warp function to quickly and transparently adjust the Guide's (or lead harmony parts') timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated "tracks" under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts' VocALign technology.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features. Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the "Guide" (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

Important Features of ATP

• The "tightness" of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
• Optional user-inserted "Protected Regions" allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
• The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
• APT Pitch (and other feature's) processing settings can be made time-varying (automated).
• "Process-based" solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
• The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
• Multiple Dub signals can use the same Guide and be efficiently processed at the same time.
• A comprehensive Preset system allows saving and reusing settings.

Doubler

The Doubler - instantly create natural-sounding mono and stereo double tracks for voice and instruments or, crank the parameters for more extreme modulation style effects on your tracks. A great time-saving process often referred to as ‘the secret weapon’ in modern vocal production.

Applications for Doubler

• Creating realistic double tracks from vocal or instrument recording when no double track is available.
• Create a wide range of special modulation effects.

Process Details

• Inputs can be mono or stereo signals.
• Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
• Provides controls for modifying timing variations, formants, and vibrato.
• Supports extreme parameter variations to create special effects.
• Comprehensive user Preset system.

Warp

Simple, fast adjustments with maximum quality- for voice and monophonic instruments.

In Revoice Pro 4, manual Pitch and Time Warping of audio are intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

• Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
• Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
• Manually adjusting the pitch and time of a solo vocal or any voice recording.
• If required, making minor adjustments to the features in the output of an APT process.
• Modifying signal levels.

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 4 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs. This means that dependant audio tracks will always be in time and in sync instantly.

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools available in all of these are operated similarly.

The quick-access cursor tool's function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners. Time and level can be manipulated similarly and easily.

Moreover - there is a Correct Pitch function for a quick snap-to-grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings. However, in any processing, the most important element is sound quality - which in Revoice Pro 4, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

The Warp Region Process

• Adjustments are made to a single audio region in the same track as the input audio Region and the adjusted output is heard replacing the input audio.
• This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice-over parts.

The Warp Process

• Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
• The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
• Revoice Pro 4 - Three Warp Points inserted and moved
• Three Warp Points inserted and moved

Warp Points

• Warp points can be used to time stretch the signal between two points.
• Vibrato Warp Points allow you to time-stretch or compress signals containing vibrato without modifying the vibrato rate.
• You can also use speed points to gradually change the rate of time stretch.

What's new in Revoice Pro 4?

With the release of Revoice Pro 4, Synchro Arts have continued to push the boundaries of what a vocal production tool can achieve, with better sounding and more musically pleasing automatic alignment and vocal vibrato adjustment, even faster workflow utilising the cutting edge ARA2 protocol and iLok Cloud based authorisation with no USB dongle. These along with the over 70 other new features and improvements mean Revoice Pro 4 truly is the ultimate toolbox for timing and pitch adjustment.

The Ultimate Pitch & Timing Toolbox

Important Upgrade Note: This is a specific licence for existing owners of VocALign Ultra. The full version of Revoice Pro 4 and following upgrades/crossgrades are also available:

• Revoice Pro 4 Upgrade from Revoice Pro 3
• Revoice Pro 4 Licence for VocALign Project 3 Owners

Used worldwide by top music producers and audio professionals, Revoice Pro 4 features Syncro Arts' industry-standard audio alignment technology, an extensive suite of pitch adjustment tools and a premium doubler which combine to create a vocal, instrument and dialogue editing powerhouse.

With Revoice Pro, Synchro Arts offer a solution which delivers premium audio quality while being fast and easy to use, saving you hours of tedious editing time, ensuring the highest possible production values and helping to achieve your creative vision.

Key Features

• APT - Clone the timing, pitch, vibrato and level features of one audio track and use it on another.
• Warp - Manipulate the timing and pitch of your audio whilst maintaining the highest audio quality.
• Doubler - Instantly create natural-sounding mono and stereo double tracks.

Music Production using Revoice Pro 4

• Tighten the timing, pitch and vibrato of "stacked" lead and backing vocals or instrumental tracks.
• Create one or more realistic double tracks from a single input track.
• Manually adjust the pitch and timing of your tracks with an easy to use graphical interface.

Post Production using Revoice Pro 4

• Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Change the inflection in dialogue (ADR, voice-overs etc.) with the desired Guide pattern provided by recording the director or dialogue editor.

Audio Performance Transfer (APT) Process

The APT Process transfers user-selected timing, pitch and level characteristics of a good "Guide" audio signal to one or more audio signals - automatically.

At the heart of Revoice Pro is Syncro Arts' unique Audio Performance Transfer (APT) process, that allows the user to clone the timing, pitch, vibrato and level features of one audio track and use it on another, giving you the chance to match or correct timing, tuning and level.

Applications for the APT process include:

• Vocal and instrumental double tracks: Tighten the timing, pitch and vibrato of “stacked” tracks while keeping them natural-sounding.
• Dialogue replacement: Lip-sync dialogue (ADR) and vocals by the same or different performers, even when there are noisy guide tracks.
• Transfer a performance: Change the inflection in dialogue (ADR, voice-overs etc.) with the desired pattern changes provided by recording the director or dialogue editor's voices.
• Fix corrupted live vocal recordings: Replace and sync problematic vocals with clean retakes.

Description of the APT Processing

The user loads or transfers the Guide and Target (Dub) audio to be processed into the Revoice Pro program from DAWs or audio files. The Guide signal should have the "perfect" features: either timing, pitch or both.

However, if your Guide audio needs further time or pitch modifications, you can use Revoice Pro's new built-in Warp function to quickly and transparently adjust the Guide's (or lead harmony parts') timing and pitch.

In Revoice Pro, you can insert APT function blocks wherever you want them in dedicated "tracks" under each audio track that show where the processing starts and stops. You also chose the initial settings.

The APT process first determines the timing relationship between key features of the Guide and Target (Dub) audio signals using state-of-the-art pattern recognition algorithms based partly on Synchro Arts' VocALign technology.

User-selected Guide performance features are transferred to the Target audio to create a new Modified Target signal with the selected Guide features. Next, the APT process measures performance-related features (such as timing, pitch, vibrato and level) of both the "Guide" (which usually has certain preferred performance characteristics) and one or more Targets (Dub) signals.

The transfer process usually includes the timing alignment, so Guide features are incorporated at precisely the correct places along the Target. However, this is an option.

If satisfactory, the processed Dub(s) can be instantly transferred back to the DAW via a number of methods including Revoice Pro Link plug-ins, drag & drop or copy & paste.

Important Features of ATP

• The "tightness" of the transferred feature can be controlled to allow natural acceptable differences to pass through unchanged.
• Optional user-inserted "Protected Regions" allow selected sections of the Dub signals to be left unchanged in timing or pitch by the APT process.
• The automatic APT processing can be followed by (or replaced by) manual editing of the output features.
• APT Pitch (and other feature's) processing settings can be made time-varying (automated).
• "Process-based" solo switching, via single keys, provides instant audition to compare inputs and outputs one or two signals at a time.
• The effects of any changes made to APT control panel parameters will be immediately visible (after rendering) in the displayed output graphics of pitch, level and waveform traces.
• Multiple Dub signals can use the same Guide and be efficiently processed at the same time.
• A comprehensive Preset system allows saving and reusing settings.

Doubler

The Doubler - instantly create natural-sounding mono and stereo double tracks for voice and instruments or, crank the parameters for more extreme modulation style effects on your tracks. A great time-saving process often referred to as ‘the secret weapon’ in modern vocal production.

Applications for Doubler

• Creating realistic double tracks from vocal or instrument recording when no double track is available.
• Create a wide range of special modulation effects.

Process Details

• Inputs can be mono or stereo signals.
• Doubler automatically creates natural-sounding mono or stereo double tracks in seconds.
• Provides controls for modifying timing variations, formants, and vibrato.
• Supports extreme parameter variations to create special effects.
• Comprehensive user Preset system.

Warp

Simple, fast adjustments with maximum quality- for voice and monophonic instruments.

In Revoice Pro 4, manual Pitch and Time Warping of audio are intuitive, making it easy to select and manipulate timing and pitch whilst providing the highest audio quality. The controls allow selection over any range and cursor tool changes to show what will move. Automatic snap to pitch option, plus play loops and undo functions make adjustments fast and easy.

Applications for Warp processes

• Improving or altering the pitch and/or timing of tracks that are used as Guide tracks in APT or Doubler processes.
• Correcting or altering the pitch of a harmony track before using it as a Dub input to an APT process that will have only its timing aligned to the Guide. The output of this APT process can then become a harmony Guide track for automatically aligning the time and pitch of double tracks of this harmony part.
• Manually adjusting the pitch and time of a solo vocal or any voice recording.
• If required, making minor adjustments to the features in the output of an APT process.
• Modifying signal levels.

A powerful advantage of keeping time and pitch adjustments within Revoice Pro 4 is that any additional time and/or pitch changes to Guide or Input tracks will be passed automatically into the outputs of all processes using these inputs. This means that dependant audio tracks will always be in time and in sync instantly.

Warp Processing Details

There are now three new methods for manual Timing and Pitch Warping audio in Revoice Pro. However, the tools available in all of these are operated similarly.

The quick-access cursor tool's function changes simply by moving the cursor position around the note selection blocks. This way, pitch traces can be shifted, squeezed, tilted and even inverted instantly by dragging the note-box sides or corners. Time and level can be manipulated similarly and easily.

Moreover - there is a Correct Pitch function for a quick snap-to-grid process which will automatically adjust a large proportion of out-of-tune notes to more acceptable tunings. However, in any processing, the most important element is sound quality - which in Revoice Pro 4, remains natural and transparent for moderate changes.

For working with low or high pitched instruments or voices, the pitch processing ranges can be extended down to bass instrument ranges or up to flute ranges- to maintain the highest quality processing.

The Warp Region Process

• Adjustments are made to a single audio region in the same track as the input audio Region and the adjusted output is heard replacing the input audio.
• This is meant for making large and small corrections or creative changes to the timing and pitch of voice and monophonic instruments to create perfected lead, harmony, ADR or voice-over parts.

The Warp Process

• Like the APT or Doubler, the Warp process can (from part of a region or even from multiple regions) and allow creative adjustments and corrections to be applied to the input audio. But in this case, the Warp Process results are sent to an Output track - i.e. not in the same track as the input audio.
• The Warp process takes its input from any length of audio in one track, from part of one region to spanning multiple regions. The output of the Warp process is sent to a designated output track where the adjustments are made. The input track is left unchanged.
• Revoice Pro 4 - Three Warp Points inserted and moved
• Three Warp Points inserted and moved

Warp Points

• Warp points can be used to time stretch the signal between two points.
• Vibrato Warp Points allow you to time-stretch or compress signals containing vibrato without modifying the vibrato rate.
• You can also use speed points to gradually change the rate of time stretch.

What's new in Revoice Pro 4?

With the release of Revoice Pro 4, Synchro Arts have continued to push the boundaries of what a vocal production tool can achieve, with better sounding and more musically pleasing automatic alignment and vocal vibrato adjustment, even faster workflow utilising the cutting edge ARA2 protocol and iLok Cloud based authorisation with no USB dongle. These along with the over 70 other new features and improvements mean Revoice Pro 4 truly is the ultimate toolbox for timing and pitch adjustment.

The Industry Standard for Pitch Correction and Vocal Effects

Get a FREE annual subscription to Auto-Tune Unlimited with your purchase - learn more about Auto-Tune Unlimited.

Every great song starts with a great vocal. Auto-Tune Unlimited delivers the complete set of tools you need to make any vocal performance a perfect performance.

Take your music to the next level and start producing vocals without limits.

Auto-Tune Unlimited delivers:

The Industry-Standard Tools for Pitch Correction

Used on countless recordings, Auto-Tune is recognized as the leading tool for tuning vocals.

The Classic “Auto-Tune Effect”

Often copied but never equalled, it’s the sound of modern music.

An Essential Toolkit for Vocal Production

Beyond just tuning, it’s a comprehensive collection of plug-ins for creating radio-ready vocal tracks.

Compatibility

Compatible with every major DAW and every current version of Auto-Tune. Collaboration is easy when you’re working with industry-standard tools.

Studio Quality Recordings at an Affordable Price

Get access to the entire collection of Auto-Tune and AVOX plug-ins at the lowest cost of entry.

The End of Paid Upgrades

Receive free upgrades to new versions of all the plug-ins included with Auto-Tune Unlimited for as long as you subscribe.

The Education You Need to Succeed

Free access to tech support, product tutorials, and tips from industry pros give you the skills to put your tools to work.

New Vocal Effects as They’re Released

Automatically receive licenses for select Antares plug-ins as they’re added to Auto-Tune Unlimited.

Auto-Tune Unlimited Includes 

• Auto-Tune Pro
• Auto-Tune Artist
• Auto-Tune EFX+
• Auto-Tune Access
• Auto-Key
• Auto-Tune Hybrid
• Auto-Tune Slice
• Auto-Tune Vocodist
• Harmony Engine
• Mic Mod EFX
• ARTICULATOR
• WARM
• DUO
• CHOIR
• ASPIRE
• SYBIL
• THROAT
• PUNCH
• MUTATOR

Auto-Tune Artist

Optimized for Real-Time Tracking and Live Performance

Auto-Tune Artist (formerly Auto-Tune Live) is designed to meet the demanding needs of working musicians, producers, and live sound engineers. It includes all of the advanced real-time pitch correction features of Auto-Tune Pro and is optimized for low latency performance on stage or in the studio.

Auto-Tune Artist is also packed with powerful new features and enhancements, starting with a sleek new interface, redesigned for ease-of-use and optimal workflow. Antares have added Basic and Advanced Views so you can find the tools you need, when you need them.

They’ve also added Flex-Tune for more natural and transparent pitch correction, Classic Mode for the “Auto-Tune 5 sound,” and Transpose for real-time pitch shifting. Compatibility with the Auto-Key plug-in (sold separately) means never having to worry about finding the key of your music before tuning. Auto-Key detects the key and scale and sends that information to Auto-Tune Artist with a single click.

Auto-Tune Artist also features Humanize to preserve subtle pitch variations on sustained notes, automatic Formant Correction, adjustable Throat Modeling, real-time MIDI Control, and advanced Vibrato Controls.

The following Upgrade options are available for current iZotope users:

• Nectar 3 Plus Upgrade from Nectar 3 Standard
• Nectar 3 Plus Upgrade from any previous version of Nectar (including Elements)

Put Vocals in Their Place

Updated with improved Unmasking controls and key detection, Nectar 3 Plus is the most powerful audio plug-in for vocal production, polish, and mixing.

With intelligent, assistive vocal mixing, once time-consuming tasks like dynamics processing, EQ cuts, and de-essing can now be performed with precision in seconds.

From corrective to creative vocal production all the way to the final polish, Nectar 3 Plus brings out your intended performance in isolation and in the context of the mix.

Improved! Vocal Assistant: Unmask

Vocal Assistant: Unmask talks to other iZotope plug-ins to send information and clean up audio in your mix that's clashing with your vocal. You can visualize the Unmasking via a new EQ window in Neutron, Relay, or Nectar 3, and control the effect with a new Amount slider.

Turn on the Dynamic setting, and Nectar 3 Plus tracks the vocal and ensures the unmasking only occurs when the voice is present. Vocal Assistant: Unmask works in Nectar 3 Plus, Relay, and Neutron 3 Standard and Advanced.

Vocal Assistant will intelligently set EQ nodes, analyze dynamics and set suggested compression settings, remove pesky sibilants, create space, ambience, and more.

Improved! Pitch Module with Key Detection

Nectar 3 Plus’ Pitch module is now faster and easier to work with, helping you save time in your session by learning the key of your vocal. The new Pitch module’s Learn button will automatically detect your vocal’s register and offer three possible keys for pitch correction. You can also manually set the key, or transpose your entire vocal line up or down in steps to match the tonality of your music.

Inter-plugin Communication

Nectar 3 Plus talks to other plug-ins in your session to help you accomplish a variety of mixing tasks. Appearing in the Visual Mixer, Masking Meter, Tonal Balance Control 2, and Insight 2’s Intelligibility Meter, Nectar 3 sits alongside instances of VocalSynth 2, Insight 2, Ozone 9, and Relay to seamlessly streamline the vocal mixing process. (Neutron 3, VocalSynth 2, Insight 2, Ozone 9, and Tonal Balance Control 2 are available as part of Music Production Suite 4.)

A match made in heaven: Celemony Melodyne 5 Essential

As an added benefit to Nectar 3’s built-in pitch correction module, iZotope has partnered with Celemony to include Melodyne 5 essential: GRAMMY-award winning pitch and time correction. Melodyne adds surgical, intuitive, and truly transparent pitch adjustment capabilities that are an industry standard in professional studios around the world.

A Complete Vocal Chain

12 vocal-focused processing modules offer the treatment you need for any type of vocal. Get DSP for harmonies, doubling, saturation, and much more. 

Your New Go-to Vocal EQ

Nectar 3's powerful fluid EQs can track the harmonics of your vocal signal, letting you make cuts or boosts that follow your pitch.

Surgically Sculpt and Polish

Compress, de-ess, mix harmonies, and more within a fluid, resizable UI. Nectar 3 is a complete vocal production envrionment in one plug-in.

Harmony Engine - Automatic Vocal Harmony Generator

Create professional quality harmony arrangements from a single track.

Whether you’re an experienced arranger, a songwriter looking for the perfect backup vocal, or a producer experimenting with unique effects, Harmony Engine gives you new ways to create the harmony parts you hear in your head. It offers a variety of control modes, from fully automatic to individual control of every note.

Harmony Engine features four high-quality harmony voices with independently adjustable vocal character, vibrato, and pan settings for realistic or extreme effects. And five channels of our Choir vocal multiplier lets you turn each harmony voice into 2, 4, 8, or 16 individual unison voices.

Harmony Engine provides all the tools you need to produce lush and convincing harmonies. Meticulously craft your own vocal arrangement note-by-note, perform your harmonies with your MIDI controller, or simply choose the chords and let Harmony Engine do the rest.

Harmony engine is also compatible with the Auto-Key plug-in, which is designed to save you countless hours in the studio by automatically detecting the key and scale of your music, and sending that information to Harmony Engine with a single click.

With four independent harmony voices, a variety of flexible harmony generating modes, and humanization features for more natural sounding performances, Harmony Engine gives you the tools you need to produce any vocal arrangement you can imagine.

Features:

• Antares' groundbreaking Voice Processing Technology for faster, more accurate pitch detection and smoother, artifact-free pitch shifting.
• Four high-quality, formant-corrected harmony voices with independent vocal character, vibrato, and pan settings
• Five channels of our unique CHOIR Vocal Multiplier, to let you turn each voice into 2, 4, or 8 individual unison voices, perfect for creating jaw-droppingly amazing choirs out of a single vocal line
• Antares Throat Modeling technology that lets you process each harmony voice through a physical model of the human vocal tract
• A variety of innovative Harmony Control modes, from fully automatic to individual control of every note:
• Fixed or Scale Intervals: Simply set the key and harmony voice intervals and let Harmony Engine do the rest
• Chord Degrees or Chord Name: Define your harmony chord-by-chord, complete with inversions and variable vocal ranges
• Chord by MIDI: Define your harmony in real time via a MIDI controller or pre-recorded MIDI track
• MIDI Omni: Directly "play" the four harmony voices as if they were voices of a synth or sampler
• MIDI Channel: Use four separate MIDI channels for absolute control over each note of your vocal arrangement
• Spread and Register controls that allow you to quickly and intuitively set the pitch range and harmony style of your vocal arrangement
• Humanize functions that provide selectable amounts of variation to each harmony voice for realistic, natural sounding results
• A Freeze function that allows a unique variety of backup vocal effects by letting you instantly freeze pitch and/or formant articulation
• A Harmony Preset matrix that lets you create up to 15 complete harmony settings and instantaneously recall them in real time or via automation.
• A Voice Parameter Preset matrix that lets you create and instantly recall up to 6 different "vocal groups"
• Five-channel output capability (host dependent) that lets you assign or export the original input and each of the four harmony voices to their own channels for further processing
• And lots more...

iZotope VocalSynth 2

• VocalSynth 2 + Bundle
• VocalSynth 2 Upgrade from V1
• VocalSynth 2 Upgrade from Music Production Suite
• Producertech Guide to VocalSynth 2

Vocals, Evolved.

VocalSynth 2 is an immersive vocal experience that adapts and adapts and evolves with your unique style and opens up a world of vocal possibilities. Color and shape vocals with five blendable eccentric-must-haves and stompbox-style studio effects. A one-stop for past, present, and future vocal sounds, VocalSynth 2 features a Vocoder, Compuvox, Polyvox, Talkbox, and Biovox: a brand new effect based on the sonic qualities of the human vocal tract.

The evolution of vocals

Elevate your vocal productions with the music production’s most unique plug-in experience for vocals. Quickly get old school sounds you need or create a new school of vocal sounds. Get lost in layers, textures, effects, blending, and morphing in an experimental vocal playground and finally find that secret something that makes your vocals stand out. Choose and meld five unique vocal tools or pick from hundreds of presets for quick impact.

Killer sounds out of the box

We’ve completely redesigned VocalSynth to get you a better sound, faster than ever. Through meticulous design we’ve made improvements to every aspect of VocalSynth including: expanding the Vocoder for a more faithful sound, packing more power into Shred, optimizing CPU, adding more control within each module, and much more. We’ve also added brand new presets that take full advantage of all VocalSynth has to offer, so you can get up and running right out of the box.

Biovox: Vocals down to a science

Create and manipulate your biological imprint with a brand new vocal effect. Using scientific modelling of a human vocal tract, adjust human vocal characteristics like nasality, vowel shapes, and formants for a smooth, textural vocal treatment to any audio signal. Use surgically to adapt takes to better fit your production or apply as a creative effect to make a vocal more present, breathy, or totally mangle it!

Stompbox playground

Further enhance your production with a custom drag-and-drop vocal effects chain featuring seven experimental effects including a new and improved Shred, Ring Mod, Chorus, Distort, Filter, Transform, and Delay. Add a little extra something special for a perfect cocktail of vocal effects.

Interactive visualization

Meet the Anemone, VocalSynth 2’s colorful animation that moves and grows with the shape of your audio signal. Driven by an advanced spectral analysis that reacts to the sonic characteristic of vowels, the Anemone blends fun interaction with a unique metering experience.

Inter-plugin communication

VocalSynth 2 works within the ecosystem of iZotope products. Like Neutron, Ozone, and Tonal Balance Control, VocalSynth 2 features inter-plugin communication, allowing seamless integration with essential tools for music production and analysis. VocalSynth 2 can be seen within Neutron 2’s Visual Mixer and Masking Meter and also within Tonal Balance Control, allowing you to interact and get visual feedback in real time.

3 Ways to Play

Three different modes allow you to interact with VocalSynth 2 in a way that suits your style.  Helpful in-app setup instructions tailored to your DAW get you up and running with ease, so you can spend more time making creative decisions.

• Auto: Lock your vocals into key with real-time pitch correction, generate additional voices and harmonies, and seamlessly blend your module settings with VocalSynth’s intuitive mix panel.
• MIDI: Use MIDI signal to control your pitch and effortlessly create custom vocal harmonies as you play. This replicates the experience of playing a classic vocoder or talkbox!
• Side chain: Rather than using the synthesizer within VocalSynth, pipe in your own audio to use as your “carrier” signal.  This lets you make any audio “talk” or create new outlandish sounds that would be impossible otherwise.

The Simple Route to Professional Vocals

Vocalstrip 2 is an application-specific plug-in that draws upon decades of SSL professional engineering expertise to combine the right four processing elements to create the simple route to professional vocal recordings.

Combining EQ and dynamics sections with essential vocal processors, Vocalstrip 2 aims to bring power, character and clarity to vocal tracks from a single interface. Vocalstrip 2 solves the challenges of producing great vocal recordings with four processing tools carefully selected and calibrated to deliver great results every time.

Voice Generating Software: A Real-Time Monster, Creature & Robotic Voice Designer

Voxpat is a standalone software developed to create high quality monster, other world creatures and robotic voices for games, films, music, multimedia projects or for creating sound libraries in just a few minutes. But also for processing any kind of samples or instruments in many different ways.

Procedural audio, audio synthesis, audio convolution, among other audio manipulation techniques are used to create multiple layers of sound using your own voice or pre-recorded audio files.

Includes samples and presets from respected sound designers as Frederic Devanlay, Stephan Schütze, Kate Finan, Russell Gorsky & Saro Sahihi.

AVA Vocal Flow

AVA Vocal Flow is an all-in-one signal processing suite for mixing vocals in music. It contains 7 routable signal processing elements along with input and output controls.

The elements included are:

• Vocal Character - A unique 2-band vocal EQ designed to “follow” the pitch of the vocal notes. 
• 32c Channel EQ - A 4-band EQ complete with High & Low Filters. Directly based on the Harrison 32c consoles highly sought after channel EQ.
• De-Esser - A specialized Compressor for removing sibilance in vocals or speech. Based on the X-Tool DSP found in Harrison MPC digital consoles.
• Leveler - A handy Compressor derived from the Harrison Mixbus channel strip DSP.
• Vocal Effects - Chorus, Delay, and Reverb for livening up vocal recordings.
• Master Section - Includes controls for Routing,  Polarity, Input and Output Trim.

Module Controls

Each of the 7 processing sections (referred to as Modules) has its own output trim control and can be individually reset, soloed, or bypassed.

• The RESET button resets all of a module’s parameters to their default states (with the exception of RTA controls).
• The SOLO button bypasses all processing outside of the module being soloed. This allows individual modules to be auditioned exclusively without any other processing. Note that soloing a module will maintain the gain structure set by the Output Trims of the other elements.
• The IN button toggles the enablement of each module. If disabled, a module’s processing is bypassed and its effects will not be heard. 

The vertical slider to the right of each module controls the module’s Output Gain Trim for adjusting the Gain staging between elements. It has a range of -20dB to +20dB.

Note: Because they are processed in parallel, the Delay and Reverb modules do not have Output Gain Trims like all the other sections. Instead, they have Level faders for blending the effects signals with the main signal path. 

Vocal Character

The Vocal Character is a one-of-a-kind vocal EQ that “follows” the pitch of the notes sung in a recorded vocal track and shifts the EQ curve accordingly along the frequency spectrum. This allows you to alter the actual character of vocals by adjusting the body and clarity of each note.

Important Note: The Vocal Character element tracks pitches on a chromatic scale, and it will not work on the spoken voice.  You should disable this element when using the VC on spoken voice.

The Vocal Character consists of an EQ graph with 2 band control sections below it, labelled Body and Clarity. The Body section contains controls for the lower band (labelled “B” on the graph) and the Clarity section controls the high band (labelled “C” on the graph).

Both bands have adjustable Frequency, Gain, Shape, and Q parameters, as well as buttons for toggling their enablement individually. The graph is used to control a band’s frequency and gain while the controls for enablement, shape and Q can be found in the control sections below the graph.

De-Esser

This module contains a simple and intuitive implementation of Harrison’s renowned De-Esser algorithm. It is primarily used to attenuate harsh frequencies caused by sibilance in speech and vocals.

The two circular markers on the graph display, labelled “S” and “H”, are the controls for the Ess and Hi bands (S = Ess, H = Hi). These controls can be dragged horizontally or vertically to set the Bandwidth and Depth of their respective bands. 

A band’s horizontal range or Bandwidth determines the range of frequencies subject to attenuation within that band. The low cutoff Frequency for the Ess band has a range of 1 kHz to 8 kHz, while the Hi band control has a range of 2 kHz to 12 kHz for taming any additional frequencies above that.

The vertical Depth of a band sets the maximum Gain reduction in dB that can be applied to the frequencies in its Bandwidth. A lower Depth means greater possible attenuation. Both bands have a maximum Depth value of -12 dB and can go up to 0 dB, where no attenuation occurs.

Clicking and dragging in the open portion of the graph (rather than on a specific band control) allows you to control both bands simultaneously. This is useful for adjusting the Frequency or Depth of the bands without altering the Bandwidth.

Leveler

The Leveler is a unique compressor derived from the Harrison Mixbus channel strip. It includes controls for Threshold and Attack while the module’s Output Trim can be used to add make-up gain if needed. Input level and gain reduction meters are also provided to help visualize the operation of the Leveler. The Leveler has a low ratio and a fast release.

The Input Meter displays the level of input signal coming into the Leveler. The slider attached to the meter controls the compressor’s Threshold level.

Directly below the Input Meter is the Reduction Meter, which shows how much gain reduction is being applied to the signal.

The Attack knob sets the Attack time of the compressor, ranging from 4 ms to 100 ms. This parameter can be controlled by adjusting the knob or by typing values directly into the label to the right of it.

You can use the Leveler module’s Output Trim slider on the right to apply make-up gain as needed.

32C Channel EQ

Modelled after the famed Harrison 32C Channel EQ, the Equalizer element offers 4 bands with variable frequency and gain along with 2 versatile filters.

EQ Bands

The 4 EQ bands can be toggled in or out using the EQ IN button just above the LOW band controls.

Each of the 4 bands has variable gain and frequency parameters. Each gain control has a range of -12dB to +12dB. The band frequency ranges are as follows:

• LOW - 40Hz - 600Hz
• LO MID - 200Hz - 3.1kHz
• HI MID - 400Hz - 6kHz
• HIGH - 900Hz - 13kHz

EQ Filters

The High and Low Pass Filters can be toggled in and out using the Filters IN button in the top-left corner above the Filter controls.

Both filters have a 12dB/octave slope. The High-Pass Filter has a frequency range of 20Hz - 3.15kHz and the Low-Pass Filter has a frequency range of 160Hz - 18kHz.

Chorus

The Chorus module is based on the Harrison XT-MG Micro Glide plugin and can be a useful tool for adding width and depth to a vocal recording.

The Chorus effect adds 2 pitch-shifted voices: one above and one below the input signal. 

• Detune controls the amount in which the 2 voices are pitch-shifted up and down from the original signal (measured in cents).
• Delay adjusts the delay offset from the original signal in milliseconds.
• Mix sets the percentage of wet signal that gets blended with the dry signal.

Delay

The Delay module is specifically designed for adding slapback delay to vocals.

Unlike the other modules, the Delay and Reverb effects are processed in parallel with the main signal path, so they are set to always return at the end of the signal chain to be blended with the main signal path. This routing is meant to emulate the traditional method of using effects sends/returns on an aux track in a DAW.

Because it’s in parallel, the Delay module does not have a standard Output Trim slider like the other modules. Instead, it has a level control fader with a minimum value of -inf for setting the effect level that gets blended in with the main signal.

In addition to the Output Level, there are 4 controls for shaping the delay on vocals: Delay Time, Feedback, Low-Pass Frequency (LPF), and High-Pass Frequency (HPF).

• Delay Time sets the amount in milliseconds that the wet signal is delayed from the original dry signal. This control is capable of setting short delay times up to 250 ms. 
• Feedback sets the percentage of signal that gets fed back into the delay and can be used to set the amount of delay repetitions. Note that setting the Feedback to 100% will cause the delay to enter an endless loop of repetitions that can only be stopped by bringing the Feedback down below 100%. 
• LPF and HPF set the cutoff frequencies for the low and high-pass filters which are applied to the delayed signal.

Reverb

The Reverb module is useful in altering the spatial characteristics of vocals. 

Like the Delay, the Reverb is processed in parallel with the main signal path. The position of the REVERB SEND routing item determines the point along the signal chain in which the signal is sent to the Reverb effect, which always returns at the end of the signal chain to be blended with the main signal path.

Because it’s in parallel, the Reverb module does not have a standard Output Trim slider like the other modules. Instead, it has a level control fader with a minimum value of -inf for setting the effect level that gets blended in with the main signal.

In addition to the Output Level, there are 4 controls for shaping the reverb on vocals: Room Size, Damping, Low-Pass Frequency (LPF), and High-Pass Frequency (HPF).

• Room Size controls the size of the simulated space for reverberations and essentially dictates the decay time (larger Room Size = longer decay time).
• Damping controls the damping properties of the surfaces being reflected off of, which affects the presence of high frequencies in the reverb tail. More damping will decrease high-frequency reverberations to create a warmer reverb sound while less damping will increase high-frequency reverberations for a brighter sound.
• LPF and HPF set the cutoff frequencies for the low and high-pass filters which are applied to the reverb signal.

Master Controls (Input, Output & Routing)

The Input, Output, and Routing sections at the bottom of the plugin window contain the plugin’s master controls for routing the order of elements, adjusting input/output trim, and inverting polarity. The master controls are laid out in the order of their signal flow from left to right, which is as follows:

1. Master Input Trim
2. Polarity Switch
3. Element Routing
4. Master Output Trim  
5. Input, Output & Polarity

The very first element in the signal chain is the Master Input Trim slider, which adjusts the gain trim of the input signal before it reaches any of the other elements. Next in line is the Invert Polarity button, used to flip the polarity of the input signal. Following the Polarity switch are the element routing items, which will be detailed further in the next section. The very last element in the signal chain is the Master Output Trim, which adjusts the gain trim of the final output signal after it has been processed by everything.

Additional Features

At the top-right corner of the plugin window are the Momentary Byass and Settings buttons.

• Momentary Bypass - The Momentary Bypass button bypasses the plugin for as long as it's held. This is useful for auditioning A/B comparisons quickly. 
• Settings - The Settings button reveals a pop-up menu where the window size and theme can be adjusted. It also contains a link to the plugin manual and version info at the bottom.

Express Your Voice With The Ultimate Collection Of Professional Vocal Effects

Every great song starts with a great vocal. Auto-Tune Unlimited delivers the complete set of tools you need to make any vocal performance a perfect performance.

Take your music to the next level and start producing vocals without limits.

Auto-Tune Unlimited delivers:

The Industry-Standard Tools for Pitch Correction

Used on countless recordings, Auto-Tune is recognized as the leading tool for tuning vocals.

The Classic “Auto-Tune Effect”

Often copied but never equalled, it’s the sound of modern music.

An Essential Toolkit for Vocal Production

Beyond just tuning, it’s a comprehensive collection of plug-ins for creating radio-ready vocal tracks.

Compatibility

Compatible with every major DAW and every current version of Auto-Tune. Collaboration is easy when you’re working with industry-standard tools.

Studio Quality Recordings at an Affordable Price

Get access to the entire collection of Auto-Tune and AVOX plug-ins at the lowest cost of entry.

The End of Paid Upgrades

Receive free upgrades to new versions of all the plug-ins included with Auto-Tune Unlimited for as long as you subscribe.

The Education You Need to Succeed

Free access to tech support, product tutorials, and tips from industry pros give you the skills to put your tools to work.

New Vocal Effects as They’re Released

Automatically receive licenses for select Antares plug-ins as they’re added to Auto-Tune Unlimited.

Express Your Best Voice with Auto-Tune

The Professional Standard for Pitch Correction And Vocal Effects

Auto-Tune Pro

The Industry Standard

The most advanced and fully-featured version of Auto-Tune, it’s the industry standard for professional pitch correction.

Auto-Tune Artist

Pitch Correction for Live Performances

Optimized for low-latency processing, it delivers the power of Auto-Tune for use in live performances both onstage and in the studio.

Auto-Tune EFX+

Creative Tuning Effects

Combines the essential features of Auto-Tune with a powerful effects rack and melodic pattern generator for more creative workflows.

Auto-Tune Access

Pitch Correction Made Easy

Its light CPU footprint and simplified interface deliver the most streamlined experience for tuning vocals.

Auto-Key

Workflow Enhancer

Automatically detects the key and scale of your song and works with Auto-Tune and Harmony Engine for a faster, more efficient workflow.

Auto-Tune Hybrid

For Avid DSP Systems ONLY

Designed for lightning-fast performance on Avid DSP hardware, including Carbon interfaces, HDX systems, and VENUE | S6L live sound systems.

Auto-Tune Slice

Auto-Tune Slice joins Auto-Tune Unlimited as part of the most complete professional vocal solution available.

A hybrid of a precision sampler and flexible synthesizer, Auto-Tune Slice is more than just a sampler. It’s a dimension of infinite musical expression where you can play voices like instruments and turn endless samples into songs.

Auto-Tune Vocodist

Iconic Vocoder Models

Instantly produce the iconic effect and explore countless creative possibilities with faithful reproductions of 20 legendary vocoders and more than 125 custom presets created by influential artists and producers.

Unleash Your Creativity with AVOX Vocal Effects

Because Vocal Production Requires More Than Just Pitch Correction

Harmony Engine

Instant Harmonies

Create the immersive, dramatic sounds you can only get from stunning harmonies. Automatically produce both natural-sounding and dramatic creative harmonic effects - all from a single human voice.

Mic Mod EFX

Your Dream Mic Collection

Make the mics you own sound like the mics you wished you owned with over 100 authentic-sounding reproductions of legendary vintage and sounds from modern classics. Your arsenal just got a whole lot put bigger.

ARTICULATOR

Digital Talkbox

Go back in time with the funkiest vocal effect ever made. Now you can produce the classic talk box sounds from classic 1970’s recordings - without putting a tube in your mouth.

WARM

Vintage Tube Saturation

Get instant vintage vibes with the authentic, warming sound of analog tubes. Add subtle harmonic distortion or get aggressive with the overdriven crunch of a tube amp pushed beyond its limits.

DUO

Dynamic Vocal Doubling

When one vocal becomes two, you'll cut the time spent tracking in half - and double down on crafting perfect stereo mixes. Fatten up a lead, or dial in some extra depth with automatic voice doubling.

CHOIR

Ethereal Vocal Ensemble

Nothing uplifts the spirit like the soulful sound of a choir. Automatically generate the effect of a 32-piece choral ensemble from a single vocal track and hear how heavenly your music can be.

ASPIRE

Master Your Breathing

Dial it up to give your vocals a sultry sound, or dial it down to eliminate any huffing and puffing. No matter how you use it, managing the breathiness of a vocal can deliver breathtaking results.

SYBIL

Sibilance Suppression

Take your vocals from “good enough” to “perfectly polished” with this powerful de-esser. Taming sibilance - without changing the vocal character - has never been easier.

THROAT

The Virtual Vocal Tract

Discover uncharted creative possibilities with the only plug-in that lets you manipulate the entire human vocal tract. Change the shape of the lips, mouth, and throat to go beyond the limits of anatomy.

PUNCH

Vocal Impact Enhancer

Vocals can make or break a song—so don't let them get buried in the mix. Punch up your vocals to get the clarity, power, and dynamics they need to cut through even the densest mix.

MUTATOR

Extreme Vocal Character Design

Transform any voice into alien, monster, or robot voices with the effect countless professional sound designers rely on for vocal character design. Getting weird has never been so fun.

Let Your Voice Be Heard

A voice that cuts through your videos and films like a hot knife through butter. A voice that is instantly recognized and always understood. Speech that is strong and well balanced. That is the kind of speech you need. That is the kind of voiceover Voxessor delivers. 

Instant Harmony & Advanced Pitch Editing

vielklang Instant Harmony generates harmonies with 2-4 voices. It is packed with musical intelligence and music theory: it detects the best fitting harmonies for each individual input melody, and automatically synthesizes up to four voices with the voices not merely running in parallel but with their voicings selected to sound most natural (voice leading).

The advanced pitch editing controls (full version only!) give you fast and easy access to pitch, timing, vibrato control, formant shift, and to many more editing options.

"So They Can Hear What You Say"

Creating voice-overs has never been easier.

Adjusting the volume of a spoken word in a video can be time-consuming. In Audified, we thought there could be much easier way to edit voice-overs. Just add music and SpeakUp.

• Advanced voice detection
• Time-saving tool
• Two independent control buses
• Adjusting spectrum of music track to make speech clearly audible
• Allows complex combinations of Sensor & Performer plug-ins
• Cooperates with DAW automation

Story Behind SpeakUp

SpeakUp has emerged from the necessity to simplify the process of creating voiceovers and YouTube shows. SpeakUp plugin bundle does exactly that. Applying the SpeakUp Sensor plugin on the speech track and SpeakUp Performer on the music allows you to focus only on what is really important - your show. User friendly control allows you to adjust the plug-in behavior to suit you the best.

Do They Hear What You Say?

Some video editors spend hours of their precious time by adjusting the volume perfectly.
We kept them in mind. The responsive plugins assure the ideal blend of voice, background sounds and music.
SpeakUp was composed by professionals. For professionals.

Manual Voice-Over Adjusting

Voice-over projects takes a long time to prepare and it is not the most creative part of show production. And being radio-show-hosts is not easy while you have to master the multitasking skill to control the music and advertisements while doing talk-show. Easy to use tool that covers the technicality while allowing you to focus on show itself is not available.

SpeakUp Does It For You

SpeakUp, the unique tool that makes it all for you. So you can focus on the more important parts of your project.

SpeakUp Sensor

Just right amount of control.

• Sensitivity - adjust the threshold of voice-over detection
• Lookahead - tell the Sensor plugin how much to delay the speech so the music fades-out before the speech in the final render.
• Control Bus - choose up to two independent control busses if you need sophisticated scenario.
• Force Talk - push this button to be heard immediately no matter if you reach the Sensitivity threshold or not

Sensor Mode

The Performer is fully controlled by Sensors. It can't be easier.

• Ducking Amount - defines the currently applied amount (0-100%) of desired attenuation
• Fade-out Time - transition time between 0 % and 100 % Ducking Amount
• Fade-in Time - transition time between 100 % and 0 % Ducking Amount
• Hold Time - keep the Ducking Amount value at 100 % while there is no speech
• Target Attenuation - set the target attenuation applied on music track
• Speech Frequencies Attenuation - set the attenuation of speech filter applied on your music track to enhance intelligibility of the voice-over
• Control Bus - set the performer to listen to Sensor signals on up to two independent control busses

Automation Mode

Driven by your will - write Ducking Amount parameter automation curve directly to your DAW (in Sensor Mode), modify it or even redraw it from scratch. Then just let the SpeakUp Automation mode do its magic. Performer is only controlled by the Ducking Amount parameter value read from DAW, Sensor signals have no effect in this mode.

• Ducking Amount - defines the currently applied amount (0-100%) of desired attenuation
• Target Attenuation - set the target attenuation applied on music track
• Speech Frequencies Attenuation - set the attenuation of speech filter applied on your music track to enhance intelligibility of the voice-over

Vocals, In the Mix

Give your vocals professional clarity and polish with Nectar Elements. Using the new Vocal Assistant, Nectar Elements analyzes and adapts to your vocal sound, taking the guesswork out of placing your vocal in the mix and letting you make your vocals stand out in just a few clicks.

A chain for every vocal

Get everything you need for pro vocals in seconds with six under-the-hood audio processors and intuitive controls. Nectar Elements intelligently combines our latest DSP for compression, de-essing, tonal and subtractive EQ, pitch correction, and reverb into one easy-to-understand interface.